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A. J. Racy is well known as a scholar of ethnomusicology and as a distinguished performer and composer. In this pioneering book, he provides an intimate portrayal of the Arab musical experience and offers insights into how music generally affects us all. The focus is tarab, a multifaceted concept that has no exact equivalent in English and refers to both the indigenous music and the ecstatic feeling associated with it. Richly documented, the book examines various aspects of the musical craft, including the basic learning processes, how musicians become inspired, the love lyrics as tools of ecstasy, the relationship between performers and listeners, and the influence of technological mediation and globalization. Racy also probes a variety of world musical and ecstatic contexts and analyses theoretical paradigms from other related disciplines. Written in a lucid style, Making Music in the Arab World will engage the general reader as well as the specialist.
- Sales Rank: #672851 in Books
- Brand: Brand: Cambridge University Press
- Published on: 2004-05-20
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .59" w x 5.98" l, .90 pounds
- Binding: Paperback
- 268 pages
- Used Book in Good Condition
Review
"A.J. Racy is perhaps the most important and well known scholar of Arab music and culture, and his book "Music Making in the Arab World: The Culture and Artistry of Tarab" is required reading not only for scholars of the Middle East and ARab world but also for musicians and scholars interested in the juncture between musical ideology and experience...provides great insight not only into what people think about music but also into the life experience of this scholar, teacher, and musician." --Anne K. Rasmussen, The College of William and Mary: Ethnomusicology
About the Author
Jihad Racy is Professor of Ethnomusicology at the University of California, Los Angeles, and one of the leading experts on music in the Arab world. He is a performer and composer in his own right.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Exceptional Book about Arab Music
By A. Agha
This is by far the most accurate and extensive book written about tarab music along with its culture and art. Prof. Ali Jihad Racy examines the concept of tarab in many ways by dividing this book into 7 chapters. An introduction to tarab, the culture or tarab, Performance, Music, Saltanah, Lyrics, and finally a perspective look at tarab in the modern world.
I recommend this book for individuals seeking a deep and clear understanding of this underappreciated art and what classical Arab music is all about.
3 of 4 people found the following review helpful.
Universals in the Specific: Art Music in Arab Culture
By Dr. Debra Jan Bibel
Even though this scholarly but highly readable book concerns Arabic art music, the principles discussed can be applied to Western classical chamber music, opera, jazz, and even the Grateful Dead and their ardent fans, the Dead Heads. After all, Racy, as both ethnomusicologist and respected musician, observes the variation of musical inclinations and the different sophistication of listeners; the performance of music in different venues of home, concert hall, night club, and recording studio; and within social events as weddings and religious celebrations. The development, training, and social status of Arabic musicians seems to be universal. Even the objectives of art versus popular music are similar when comparing the heightened emotional state, indeed ecstasy, of Arabic tarab and the aesthetic appreciation of European lieder, operatic arias, and quartets. There is also a communal mutual appreciation that can act synergistically, as when a group of musical connoisseurs attended a concert by Umm Kulthum and when Dead Heads gathered for a concert of the hippie house band. Also, the spiritual opening through deep sama'a listening of an Arabic ensemble is not different than that that may occur by listening to some J S. Bach compositions or a Mahler symphony. Racy discusses the interactions of band leaders and players and the factors leading to both an inspiring and inspirational performance, when composition, improvisation, musicians, audience, and event situation come together in a stunning, magical way. Thus, although the details of compositions and poetic lyrics, terminology, history, and ethos presented in the book are unique to Arabic culture, there are also universals that can be appreciated by all peoples.
Still, this is a thorough analysis of the Arabic musical idiom and the musical culture of its people. It is the richness of this examination that makes this book special and worthwhile. I find it a perfect companion to Scott L. Marcus' survey book, Music in Egypt.
0 of 0 people found the following review helpful.
Good introduction/connection to the soul of Arab music
By Manny
My musical base is in jazz, and I have a hobbyist's interest in Arabic music. This book focuses on "tarab" as a kind of "soul" or "blues" of Arabic music. Maybe it's not exactly the same, but, whatever -- this book focuses on the heart and the emotional quality of Arabic music. The acknowledgement and description of the tarab music listeners/lovers alone makes this book worth reading!
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