Jumat, 26 September 2014

[F552.Ebook] Download Ebook , by Philip Seib, Dana M. Janbek:Global Terrorism and New Media: The Post-Al Qaeda Generation (Media, War and Security) [Paperback], by Phil

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  • Published on: 2009-09-19
  • Binding: Paperback

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Jumat, 19 September 2014

[J805.Ebook] Download The Cold War: A New History, by John Lewis Gaddis

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The “dean of Cold War historians” (The New York Times) now presents the definitive account of the global confrontation that dominated the last half of the twentieth century. Drawing on newly opened archives and the reminiscences of the major players, John Lewis Gaddis explains not just what happened but why—from the months in 1945 when the U.S. and the U.S.S.R. went from alliance to antagonism to the barely averted holocaust of the Cuban Missile Crisis to the maneuvers of Nixon and Mao, Reagan and Gorbachev. Brilliant, accessible, almost Shakespearean in its drama, The Cold War stands as a triumphant summation of the era that, more than any other, shaped our own.

  • Sales Rank: #7400 in Books
  • Brand: Gaddis, John Lewis
  • Published on: 2006-12-26
  • Released on: 2006-12-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.35" h x .76" w x 5.43" l, .75 pounds
  • Binding: Paperback
  • 352 pages

From Publishers Weekly
Gregory and Sklar, reading Yale history professor Gaddis's study of the American-Soviet standoff, give voice to their inner television announcer, their twin brands of masculine sonorousness verging on virile parody before settling comfortably on the side of familiar voice-over solidity. Gaddis's work unravels the tangled threads of the Cold War, from the tense Allied conferences at the end of WWII to the Korean War and onward, and his book's readers give it the sensation of every word being carefully cultivated and primped before being spoken. If this leads to some of the immediacy, the heart-in-throat sensation, of the events described being diluted, so be it, for Gregory and Sklar give Gaddis's book the grandeur its subject matter so richly deserves. Sounding more professorial, in the I-play-an-Ivy-League-professor-on-television sort of way, than the good professor himself, Gregory and Sklar do an admirable job of making Gaddis's learned words their own.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Gaddis, professor of history at Yale and the Cold War’s preeminent historian, delivers a concise, readable introduction to an era about which Americans have increasingly little recollection. The author has had the somewhat unusual opportunity to examine his period of expertise both from within—in his books Strategies of Containment (1982) and The Long Peace: Inquiries into the History of the Cold War (1987), for instance—and now, with the benefit of new archival documents and hindsight, as a series of historical events. Although the relative brevity of the volume might suggest that Gaddis values concision over detail, the study gives new focus and meaning to one of the United States’ watershed periods.

Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
Gaddis, a Yale history professor who often faced students for whom the cold war might as well have been ancient history, offers a comprehensive but highly accessible look at the dominant force in world history from 1945 until 1991. With the end of the cold war and the availability of Soviet, Chinese, and East European archival sources, Gaddis offers a rich examination of the political strife that he has detailed in several previous works. But Gaddis concedes it is not a deep examination, offering no original scholarship or exploration of how the cold war relates to more-current geopolitical concerns. Gaddis focuses each chapter on a significant theme: the return of fear following the end of World War II and U.S. acceptance of its role as a superpower, even a chapter on major actors in the conflict that focuses on Ronald Reagan and Pope John Paul III. Gaddis highlights other major figures from Khrushchev to Gorbachev, and Eisenhower to Nixon. Aimed at a new generation, this book is nonetheless enlightening for all generations. Vanessa Bush
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

131 of 144 people found the following review helpful.
A collection of thematic insights rather than a comprehensive history
By Odysseus
I bought this book with the expectation that it would provide a comprehensive overview of the events, episodes, personalities, motivations, and results of the Cold War. A reader looking for something similar might be disappointed. This book does not really attempt to be a comprehensive history of the Cold War, but is rather a collection of chapters, each devoted to a particular thematic aspect of the war. It reads as though Gaddis has a particular thesis about the Cold War that he wants to flesh out in each chapter, rather than telling the whole story in an orderly narrative.

As examples: there is a chapter about the "logic" of Mutual Assured Destruction, and how mankind's survival depended on two superpowers maneuvering their way through that system's pitfalls. There is another chapter contrasting the Leninist vision of authoritarianism with the Wilsonian vision of self-determination. There is a chapter about how the superpowers' respective allies eventually refused to do their bidding. There is a chapter about the moral paradoxes at the heart of American Cold War international policy. There is another about the key individual actors who forced the Cold War to a successful resolution. And there is one, sort of a "people power" chapter, about how the Cold War ended (Gaddis argues) largely because the internal contradictions of communism, the gap between its promises and its reality, would no longer be tolerated by its subjects.

I found many of these chapters to be thought-provoking, and often found them persuasive. At first, I resisted Gaddis's thesis about the spillover of amorality from the international sphere to the American domestic sphere, and how this precipitated the fall of Richard Nixon. It seemed a weak thesis to me at first, but upon reflection, I agree with Gaddis that there was a fundamental discomfort, a paradox, in how America waged the Cold War. We cozied up to various dictators who violated American values re individual rights, so long as they sided with us in the conflict. And we countenanced actions abroad that we would not have at home. Eventually, Gaddis argues, the roof fell in on those contradictions, when President Nixon started to practice the sort of statecraft domestically that had previously only been tolerated internationally. Gaddis seems to suggest that it was only a matter of time before something like this happened, that this inconsistency was unsustainable.

In other places, though, I found Gaddis to be less convincing. Certainly the demonstrations of "people power" that brought down the communist regimes were courageous and consequential. But it is equally true that it could have come out quite differently, if a Stalin had still been in power. Gaddis argues that the people in the communist regimes had finally come to fully appreciate the vast gulf between communism's promises and its reality, and while that is no doubt true, many a similarly-cognizant subject of these regimes was crushed by them in earlier decades. Many other factors coalesced to bring down the governments behind the Iron Curtain, including the steady economic and military pressure brought to bear by a more prosperous west.

Perhaps the best chapter in the Gaddis book is the one that is devoted to "actors" -- the singular figures whose insights and vision succeeded in changing the world. Gaddis is clearly an admirer of John Paul II, and he also credits Ronald Reagan with a lofty vision beyond what most other statesmen of his time could see. Reagan, according to Gaddis, was critical to ending the uneasy, dangerous "peace" of Mutual Assured Destruction.

Another of Gaddis's finer chapters is one wherein he details the events in Hungary and East Germany that led to the fall of the Berlin Wall. Gaddis presents more details and insights than I have found in other histories of those wondrous events of 1989.

Some of Gaddis's pronouncements struck me as simply curious. He states in one chapter that never so much misery and suffering has been borne from good intentions as under the communist regimes. Whose good intentions, I wondered? Stalin? Lenin? Marx? Mao? It really stretches the definition of "good intentions" to ascribe such to the architects of 20th century authoritarian communism. By this malleable definition, most any dictator could be said to have "good intentions."

Gaddis also provides a much loftier portrait of Woodrow Wilson than I believe most historians would share. Gaddis indicates that Wilson is highly respected today, but I would suggest that at least as many historians regard Wilson as an impractical romantic, in the arena of international relations.

I would recommend Gaddis's book as a second or third book on the Cold War, but not the first source. It is not the best source as to the "what," though Gaddis's pronouncements on "why" are often convincing.

104 of 116 people found the following review helpful.
The Cold War in the Rearview Mirror
By Izaak VanGaalen
Yale history professor John Lewis Gaddis is America's foremost historian of the Cold War. Since the publication of "The United States and the Origins of the Cold War" in 1972, he has written a half dozen more books on the subject, each time finding a new perspective on the superpower standoff that took place between 1946 and 1991.

Prior to the 1970's, American historians, for the most part, put the blame of the origins of the Cold War on the Soviet system in general and on Josef Stalin in particular. Gaddis' early work was original insofar as it gave a more balanced perspective on the American/Soviet confrontation. After World War II, both superpowers acted rationally to protect their interests, having sacrificed many lives in hard-fought battles. Each side was protecting a way of life they thought morally superior.

In the current work under review, Gaddis' views seem to be evolving. Looking back at the Cold War in light of events since 1991, he concludes that it was primarily the power of ideas that won, since nuclear weapons had made military confrontation unthinkable. The liberal democracies and market economies of the West were better able to provide for their citizens than the command economies of the totalitarian system. The West offered their citizens hope while the Soviets instilled theirs with fear. Gaddis now believes it was the Soviets who were primarily responsible for starting the Cold War.

But why did the Cold War last so many years? Why didn't people rise up earlier? One reason, of course, was nuclear weapons. Nuclear weapons prolonged the Cold War. The West had few options other than detente and containment. Gaddis has few kind words for the Nixon-Kissinger detente that left hundreds of thousands of disillusioned people behind the Iron Curtain without hope. He recounts in this book how certain key individuals facilitated change. Among these "saboteurs of the status quo" were Ronald Reagan, Margret Thatcher, Pope John Paul II, and Lech Walesa. According to Gaddis, when Pope John Paul II went to Poland and kissed the ground, it marked the beginning of the end of the Cold War. Also, when Ronald Reagan sought to exploit the weaknesses of the Soviet Union by building an antimissle shield that he knew the Soviets couldn't match, he helped bring about the demise of the system. Also, adding to the slipstream of the demise was the unwitting assistance of Mikhail Gorbachev. Gorbachev was different from previous Soviet leaders - and the world is forever in his debt - in that he realized the arms race could not continue and that the Soviet Union could no longer maintain control over the populations of Eastern Europe.

Although Gaddis' work has been used by the Bush Administration as an endorsement of spreading democracy in the Middle East, it should be noted that the saboteurs of the status quo - and Bush sees himself as such - can only facilitate change. The real change, Gaddis argues, must come from the bottom up. Ronald Reagan did not end the Cold War - though he contributed greatly to its conclusion. The Hungarians, the Poles, and the East Germans ended the Cold War as they faced down the repressive Soviet system. This is all very illuminating with our present involvement in the Middle East.

This is an excellent, well-written and well-argued one-volume history of the Cold War, written by one of its most diligent historians. I highly recommend this book.

36 of 40 people found the following review helpful.
...
By Sean Brocklebank
The Good:

- Gaddis' 'Cold War' more than fulfills that basic requirement of all good books: style. The author never dwells on trifles, the book never gets dull, and you are more likely than not to be left wanting more when you finish it.

- More importantly though, the analysis is simply brilliant. Gaddis seems to have made it his purpose in this text to tackle the big 'whys' of the cold war: why the major events played out the way they did, why the major actors did what they did, why it all started, and why it ended.

- Another strong point is the author's encyclopedic knowledge of his sources. Gaddis is able to deploy the 'perfect quote' with unerring skill, and his evident familiarity with recently opened archives gives this book a distinct edge over older works on the same topic.

The Bad:

- The flip side of my second point above is that with so much analysis in a book which is so short to begin with, there is fairly little of the traditional historical narrative in this book. While that is probably a good thing for those who are already familiar with the major events of the conflict, it does detract somewhat from the ability of this book to function as an introduction to the cold war (which is the purpose Gaddis states in the preface).

- Otherwise, my only actual complaint about the book (and really, it's more of a quibble) is that the commendable objectivity which the author uses to describe the opening and middle events of the cold war seems to fade somewhat as we draw near to its close. Descriptions of Reagan, for example, are positively fawning, while those of Thatcher are only somewhat less exuberant.

In Summary:

-This is one of the most gripping works of non-fiction of any kind, and far and away the best single book about the cold war I have yet read. Highly recommended to anyone with an interest in the history of the 20th century.

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Senin, 15 September 2014

[I822.Ebook] Ebook Download Mr. Mercedes: A Novel (The Bill Hodges Trilogy), by Stephen King

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Mr. Mercedes: A Novel (The Bill Hodges Trilogy), by Stephen King

WINNER OF THE 2015 EDGAR AWARD FOR BEST NOVEL
In a mega-stakes, high-suspense race against time, three of the most unlikely and winning heroes Stephen King has ever created try to stop a lone killer from blowing up thousands.

In the frigid pre-dawn hours, in a distressed Midwestern city, hundreds of desperate unemployed folks are lined up for a spot at a job fair. Without warning, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes.

In another part of town, months later, a retired cop named Bill Hodges is still haunted by the unsolved crime. When he gets a crazed letter from someone who self-identifies as the “perk” and threatens an even more diabolical attack, Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing another tragedy.

Brady Hartsfield lives with his alcoholic mother in the house where he was born. He loved the feel of death under the wheels of the Mercedes, and he wants that rush again. Only Bill Hodges, with a couple of highly unlikely allies, can apprehend the killer before he strikes again. And they have no time to lose, because Brady’s next mission, if it succeeds, will kill or maim thousands.

Mr. Mercedes is a war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.

  • Sales Rank: #10978 in Books
  • Published on: 2014-06-03
  • Released on: 2014-06-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.50" w x 6.12" l, 1.70 pounds
  • Binding: Hardcover
  • 448 pages
Features
  • Mr. Mercedes: A Novel

From Booklist
King’s interest in crime fiction was evident from his work for the Hard Case Crime imprint—The Colorado Kid (2005) and Joyland (2013)—but this is the most straight-up mystery-thriller of his career. Retired Detective Bill Hodges is overweight, directionless, and toying with the idea of ending it all when he receives a jeering letter from the Mercedes Killer, who ran down 23 people with a stolen car but evaded Hodges’ capture. With the help of a 17-year-old neighbor and one victim’s sister (who, in proper gumshoe style, Hodges quickly beds), Hodges begins to play cat-and-mouse with the killer through a chat site called Under Debbie’s Blue Umbrella. Hodges’ POV alternates with that of the troubled murderer, a Norman Bates–like ice-cream-truck driver named Brady Hartfield. Both Hodges and Hartfield make mistakes, big ones, leaving this a compelling, small-scale slugfest that plays out in cheery suburban settings. This exists outside of the usual Kingverse (Pennywise the Clown is referred to as fictive); add that to the atypical present-tense prose, and this feels pretty darn fresh. Big, smashing climax, too. HIGH-DEMAND BACKSTORY: No need to rev the engine here; this baby will rocket itself out of libraries with a loud squeal of the tires. --Daniel Kraus

Review
"Pays off exuberantly . . . Surprising and invigorating." (The New York Times)

"Classic Stephen King. Creepy, yet realistic characters that get under your skin and stay there, a compelling story that twists and turns at breakneck speed, and delightful prose that, once again, proves that one of America’s greatest natural storytellers is also one of its finest writers." (Associated Press)

"On one level, Mr. Mercedes is an expertly crafted example of the classic race-against-the-clock thriller. On another, it is a novel of depth and character enriched throughout by the grace notes King provides in such seemingly effortless profusion. It is a rich, resonant, exceptionally readable accomplishment by a man who can write in whatever genre he chooses." (Washington Post)

“Think of Mr. Mercedes as an AC/DC song: uncluttered, chugging with momentum, and a lot harder to pull off than it looks. . . . King has written a hot rod of a novel,perfect for a few summer days at the pool. Mercedes-Benz commands drivers to demand ‘the best or nothing.’ In pop-fiction terms, that motto still applies to Stephen King, too. With apologies to AC/DC, the highway to hell never felt so fun.” (Christian Science Monitor)

“A taut, suspenseful race-against-time book . . . [King is] in reliably fine form.” (The New York Times)

"A taut, calibrated thriller . . . The majority of the book is merciless and unforgiving, and the scariest thing about it is how plausible the whole scenario is." (Miami Herald)

“The nerve-shredding denouement is vintage King—a pulse-pounding race against time . . .” (Fort Worth Star-Telegram)

“A full-throttle sprint to the finish; the last 80 pages cannot be doled out over multiple reading sessions. You'll have to swallow them all in a single gulp.” (Sarasota Herald Tribune)

“A literary Van de Graaff generator: tightly paced and parsed with dynamic dialogue and traumatic twists.” (Columbus Dispatch)

“An oh-so-dark mystery that never shuts the door on love, loss and, possibly, redemption.” (Cleveland Plain Dealer)

“No one can create a villain quite like King. . . . [A]ll the elements come together in a very public, potentially explosive finale (with a surprising post script). King fans may find themselves furiously turning pages long into the night.” (Seattle Times)

“Along book that doesn’t feel like one. King’s pacing is perfect here . . . [Y]ou should read Mr. Mercedes. You’ll be checking your automobile’s back seat for months, if not years.” (BookReporter.com)

“A fast-paced whodunit.” (Esquire)

“King excels in his disturbing portrait of Brady, a genuine monster in ordinary human form who gives new meaning to the phrase‘the banality of evil.” (Publisher's Weekly)

“The most straight-up mystery-thriller of [King’s] career…Pretty darn fresh.” (Booklist)

“Nicely dark, never predictable and altogether entertaining.” (Kirkus)

“King deftly takes elements of hard-boiled mysteries and puts a fresh spin on them.” (USA Today)

“A showdown between good and evil that characterizes the best of King's work, regardless of genre.” (Los Angeles Times)

“King may have left out the supernatural in Mr. Mercedes, but his gifts for creating thoroughly believable characters and thrumming suspense are in full play. He keeps raising the stakes and ratcheting up the violence, and just when you think everything is settled there's one spine-icing little turn on the very last page.” (Tampa Bay Times)

“King creates such vivid characters—people you can picture yourself drinking a beer with or inviting over for lunch. So when he puts them in great peril, and that includes Jerome’s family and pet dog and the Mercedes’ owner’s family, it’s a race against time . . .” (St. Louis Post-Dispatch)

“Hartfield is sensitive, sympathetic and one of King’s most realistic characters. He is a lot like Norman Bates from Psycho, in the worst ways imaginable.You can add Hartfield to the list of great King villains, alongside the shape-shifting monster Pennywise from It and the hypnotic vampire Kurt Barlow from Salem’s Lot.” (Boston Herald)

“A fast-paced cat-and-mouse game between Hodges, the motley group of unlikely heroes that he assembles, and the Mercedes Killer.” (Pittsburgh Post-Gazette)

“As always, Stephen King draws very real people and scenes straight out of life as we know it . . .” (Raleigh News & Observer)

“A trimmer-than-usual King, but that doesn't mean he skimps on the suspense and spine-tingling chills.” (People Magazine)

“With Mr.Mercedes, [King] demonstrates that he can still rock a pure genre novel like nobody’s business. . . . a thrilling example of King’s boundless imagination.” (Bookpage)

“A war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.” (Cemetery Dance)

“. . . barrels toward a memorable conclusion. King’s work has almost always gotten lost in translation on the big screen, but his tense, propulsive, ultra-fast-paced climax here seems like it was written with the movie in mind.” (Onion AV Club)

About the Author
Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His recent work includes the short story collection The Bazaar of Bad Dreams, Finders Keepers, Mr. Mercedes (an Edgar Award winner for Best Novel), Doctor Sleep, and Under the Dome. His novel 11/22/63—a recent Hulu original television series event—was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller as well as the Best Hardcover Book Award from the International Thriller Writers. He is the recipient of the 2014 National Medal of Arts and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

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394 of 442 people found the following review helpful.
a constant reader
By charlotte raines
If you want aliens,cats that come back or creepy clowns,this is not the book for you. If you love well written King storys, it is. If you enjoyed Shawshank and Stand by Me ect., this book will make you happy. 11/22/63 was good, but still used the supernatural to move the story,here it's just people. I think King is at his best when he uses the characters that always feel real.

Enjoy a good story? Tired of the usual crap? Read this.

522 of 589 people found the following review helpful.
Stephen King Never Fails to Evolve & Amaze!
By Mathlete
I love this new and improved Stephen King 2.0. I am not going to rehash the publisher's summary or go too deep into the plot as some consider writing about ANY plot points as spoilers. There are no spoilers here, just my opinion of the type of readers that would enjoy Mr. Mercedes as much as I did.

In my opinion, there are three major buckets of Stephen King fans,

A) Readers that love his earlier works that featured densely written supernatural stories that kindled the type of mental terrorism that innovated the genre. Novels that are deep in character and plot line development to the point they easily reach the level of an 800+ page epic. (See: The Stand)

B) Readers that love his lighter works that loan themselves to the psychological thrillers of the physical and mortal world that are so terrorizing, they wish it was due to a supernatural entity. Novels that don't have as much depth (relatively speaking) or number of characters, but still great reads. (See: Misery)

C) Readers who just enjoy to be entertained and terrorized by the master of horror, regardless of the believability of the plot's premise or source of the fear.

For the hardcore fans that reside in segment A, I think they will feel Mr. Mercedes is a well written novel, but a rare miss by the author they have grown to love. That would be an unfortunate mis-characterization if readers think Mr. Mercedes is a miss due to the lack of page turning details developing voluminous characters and minuscule details of their surroundings. The development of the main characters in Mr. Mercedes was more that enough to keep us engaged and on our toes with a truly unpredictable plot.

Protagonist Bill Hodges is definitely not a sympathetic character nor a character that can be simply introduced to the reader. We are taken through his very tough existence to see him as a loathing underdog and the city's only hope to stop the sadistic plans of the antagonist, Brady Hartsfield. Also, King does a great job still making use and giving depth to the small supporting cast which includes Hodges sidekick, Jermome, Brady's mother Deborah, and Jannelle Patterson - the sister of the woman whose Mercedes was used by Brady in the attack that starts it all.

Fans in segments B and C will definitely feel the same heart-racing thrill that they have come to know from Stephen King. Mr. Mercedes is totally unpredictable, fast starting, and interlaced with many newer 21st century references that many will find refreshing. Mr. Mercedes lends more to a thriller where a lot of the plot plays out through the web - a new twist that makes me love Stephen King 2.0 even more.

This was a great novel that is much easier to read than many of Stephen King's earlier works. It will definitely not be a disappointment for fans who are open to Kin's expanding range of finding new, and more 21st century ways to keep us horrified, entertained, and guessing. I definitely recommend this to all King fans and those who may be new to his books.

This review was of an advanced reading copy.

74 of 87 people found the following review helpful.
Excellent!
By John
King negates a heavy hand for an authentic, subtly crafted story. Mr. Mercedes offers dual perspective, enabling a more interesting plot development for King's group of unlikely heroes. A fascinating adventure!

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Rabu, 10 September 2014

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  • Sales Rank: #1215810 in Books
  • Published on: 2010-09-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .23" w x 6.00" l, .31 pounds
  • Binding: Paperback
  • 98 pages

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2 of 2 people found the following review helpful.
staying out of trouble
By moju
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0 of 0 people found the following review helpful.
Starter Reference
By Amazon Customer
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Jumat, 05 September 2014

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  • Published on: 1900
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